I currently have a small workshop but I will expand the resources soon with more workbenches. More pictures to come.
The headstock is one of the most estethic parts. It´s important to choose the right wood and get the edges really sharp and distinct in the design.
By tapping the guitar, I can measure the response in a frequency analysis. Partly the air resonance, but also the basic resonance of the top and also the back.
Preparing for the channel of the bindnings.
I always French polishing the whole guitar. This is the best way to secure the future of the guitar. You can always go back and make it as new again. The thin layer of Shellac is fragile, but it keeps the acustical properties on the highest level.